Kellenberger–White
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Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Portraying a Nation’ exhibition at Tate Liverpool
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Assemble, ‘Making Room’ for the V&A Dundee
‘That Continuous Thing’ publication for Tate Publishing
‘Noguchi’ exhibition at the Barbican Art Gallery
Identity for Goldsmiths Centre for Contemporary Art
‘Being Human’ permanent gallery at the Wellcome Collection
Alphabet installation for London Design Festival
Identity for Middlesbrough Institute of Modern Art
Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
Identity for Tillingham Wines
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Packaging for Oliver’s Fine Cider and Perry
Elizabeth Price exhibition at Natural History Museum, Berlin
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Art direction for Really upcycling initiative by Kvadrat textiles
‘Being Human’ permanent gallery at the Wellcome Collection
Identity and website for Bonner Kunstverein, Germany
Identity for Middlesbrough Institute of Modern Art
Identity for Middlesbrough Institute of Modern Art
Identity for Spike Island arts centre
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
‘The Japanese House’ at Barbican Art Gallery
Identity and strategy for Charleston
Wayfinding for Newnham College, Cambridge
Wayfinding for V&A
‘Portraying a Nation’ exhibition at Tate Liverpool
Identity for Goldsmiths Centre for Contemporary Art
Art direction and editorial design for ‘Elephant’ magazine
Identity for Middlesbrough Institute of Modern Art
Dunne & Raby exhibition at Saint-Étienne Design Biennale