Kellenberger–White
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Anj Smith, ‘Where the Mountain Hare has Lain’ publication for The Perimeter
‘Hand and Machine’, exhibition for Nasjonalmuseet, Oslo
Stanley Whitney, ‘Afternoon Paintings’ catalogue for Lisson Gallery
‘Hand and Machine’ campaign for Nasjonalmuseet, Oslo
Identity for Goldsmiths Centre for Contemporary Art
Alphabet installation for London Design Festival
‘Hand and Machine’, publication for Nasjonalmuseet, Oslo
‘That Continuous Thing’ publication for Tate Publishing
‘Noguchi’ exhibition at the Barbican Art Gallery
‘Portraying a Nation’ exhibition at Tate Liverpool
‘The Japanese House’ publication for Barbican Art Gallery and Marsilio
‘Mark Rothko 1968: Clearing Away’ publication for Pace
‘Being Human’ permanent gallery at the Wellcome Collection
Identity for Middlesbrough Institute of Modern Art
Assemble, ‘Making Room’ for the V&A Dundee
‘Elizabeth Price: SOUND OF THE BREAK’ publication for Schirn Kunsthalle Frankfurt
Identity for Tillingham Wines
‘The Japanese House’ at Barbican Art Gallery
Identity for Spike Island arts centre
Wayfinding for V&A
‘Being Human’ permanent gallery at the Wellcome Collection
‘The Garden of Privatised Delights’, as part of the 17th International Architecture Exhibition – La Biennale di Venezia
Identity and website for Bonner Kunstverein, Germany
Wayfinding for Newnham College, Cambridge
Packaging for Oliver’s Fine Cider and Perry
Identity for Goldsmiths Centre for Contemporary Art
Identity for Middlesbrough Institute of Modern Art
Elizabeth Price exhibition at Natural History Museum, Berlin
‘Cars: Accelerating The Modern World’ exhibition for the V&A
Art direction for Really upcycling initiative by Kvadrat textiles
Identity for Middlesbrough Institute of Modern Art
Identity for Middlesbrough Institute of Modern Art
Dunne & Raby exhibition at Saint-Étienne Design Biennale
Identity and strategy for Charleston
‘Portraying a Nation’ exhibition at Tate Liverpool